Category Archives: Art

Looking ahead to 2015
Looking ahead to 2015

During the summer of 2014 the Society sent out a survey to the Fellowship, seeking their responses on a number of issues and asking for their views and comments.

Below is a copy that analysis, garnered from the 29% of Fellows who responded, along with some thoughts from the conversationsEAST team as to how our contribution to the work of the Fellowship might be flexed, in response to the findings.

The summary findings from The House indicated the following…

“Overall responses to the survey were positive. Over two-thirds of Fellows join–at least partially–to support our mission, the quality of almost all of our outputs is seen as very high and by far the majority of Fellows are intending to renew their Fellowship. The Survey also generated a large amount of information that can be used to guide ongoing Fellowship development”.

Key findings included…

  • There is less satisfaction with local events compared to other areas of our work.
  • There are a large number of Fellows wanting to self- organise but are frustrated at being unable to do so.
  • There are a large number of Fellows wanting to self- organise but are frustrated at being unable to do so.
  • Some Fellows want to be more involved in the work we do.
  • There is a lack of knowledge about what we do. Across the seven RSA Projects included in the survey, `have not heard of it at all’ accounted for between a quarter and a half of all responses.
  • Younger people and females are less likely to recommend the Fellowship to suitable people than others
  • There are strong regional variations in how Fellows perceive the RSA.

(Key findings drawn from the RSA Fellowship summary report – Ed.)

Looking forward into 2015 we have recently published our ‘road-map’ as a journal, where we have been working with Tim, our new Fellowship Councillor in the East, to develop a series of gatherings to explore how Fellows can become more engaged with the Society.

pdfIcon4You can view, print or download a copy of the 2014 RSA Survey here

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See the Survey here…

We will, as stated, pivot these, supporting Tim directly in the delivery of a series of Fellowship Councillor Surgeries across the region. This might help inform and engage the interested Fellowship directly. Offering an informal setting, with refreshments, for the survey itself to be discussed and for Tim to explain and heighten awareness of the work and input of the Fellowship Council itself. One of the findings in the survey was that many Fellows were unaware of the function of the Fellowship Council, for example.

Another way forward, we would argue, would be to foster the engagement of female Fellows, either as new Fellows, or to develop some way to engage with the Fellowship on a gender basis. We have written before in this journal and in our regional annual reports about the gender imbalances, including in the Fellowship, in our region.

(We could start an Otrera Group in every region to foster the engagement and promotion of Fellowship skills by gender, for example? -Ed.)

If this imbalance in Fellowship is ‘normalised’ across all regions, we would look to develop a campaign/project to engage by gender across adjacent regions for example. Sharing both the information in the recent survey, but garnering explicit local knowledge on gender bias as part of the project initiation work.

(Having talked so long about the matter, it seems that a short burst of positive discrimination, in terms of engagement and resources, might go a long way? -Ed.)

In our publishing activities we will develop a ‘Fellows have their say!’ web journal page. Where the Fellowship can directly contribute to the regional debate in the East. This might be particularly useful in bolstering the regional events catalogue in terms of feedback or activity recommendation. All this information will be passed directly and securely to the Eastern Region Fellowship team, of course.

We will foster and web publish a set of ‘View from the Fellowship Council’ reports. Getting Tim to write a regular review of Council activity and debate, in a generalised way, which can feed into regional meetings and, more importantly, be immediately available to the wider regional Fellowship. Helping to support and deliver a clearer understanding of its work and role.

We think the new RSA web site, arriving this month, which will enable Fellows to contact each other directly if they wish, offers an important and effective mechanism for pan regional co-operation, as well as improving inter-region project and activity development. We look forward to reviewing it on our web pages.

Also useful, we believe, will be the launch of artSUFFUSION, our sister arts focused web journal. We are refining the publication manifesto this month.

We hope that by combining the arts, crafts and making into one energy stream in the region, whilst connecting new conversationsEAST social enterprise start-up projects, we can also help convert our Society’s brilliant research papers and mission into real world examples of sustainable community business and social outcome funded projects.

We look forward to 2015, hoping that our readers will come along with us?

The conversationsEAST team.

Article image credit: David J. Thomas via photopin cc

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The Globe Theatre in London has just launched a new electronic service. The Globe Player.

It is part subscription service, partly an encyclopedia of reflection about Shakespeare and his work, but mainly it is a delight to discover the Bard whilst seated at your own screen and keyboard.

The service enables you, after registration, to rent or buy over 50 films of Shakespeare productions at The Globe Theatre.

You can also explore the Muse of Fire resource. This is a film in itself, but is made up of extracts from a wide variety of interviews with major Shakesperean actors of our day.

The interviews are available on the globeplayer.tv web site and offer fascinating insights into both the deep knowledge of the actors, but also their subtle and insightful take on the works they interpret.

One interesting part of the site content is access to performances of The Sonnets, but set in contemporary New York settings…

The project piece above is an interpretation of Sonnet 3, set in Sunny’s Bar in Red Hook, Brooklyn. A great way to listen to the language of Shakespeare, but framed by immediately recognisable modern contexts.

This service is truly ‘…a window of thine age…’.

Whether you are a long time resident in the world of Shakespeare, or just beginning to explore the universe of love, loss, drama and comedy that The Globe creates, then we think this is a wonderful resource.

William and the Web. Perfect partners in the 21st Century?

stClementChurchIpswich

Ipswich Arts Centre in association with Ipswich Historic Churches Trust and Re-Create are to establish a new Ipswich Arts Centre at St Clement Church.

 

In early November there will be an evening of talks, discussion, music and refreshment to celebrate  the rebirth of St Clement as a new contemporary arts venue forming a bridge between the waterfront development and the town centre.

 

“The aim is to create a contemporary arts centre which will host national and international acclaimed acts in a diverse range of media including music, visual arts, performance, film and theatre. It will complement and support Ipswich’s existing cultural offer, placing Ipswich firmly on the regional and national cultural map.

 

The rebirth of St Clement as a contemporary arts centre aims to restore this beautiful 14th Century building, which provides a natural space for creative expression, where people can congregate and share in this experience”.

 

The opening of a new Arts centre in any community is a red letter day. The impending work at St. Clement is set in a long tradition of utilising redundant church property as theatres, community centres and libraries.

 

The creation of a new, full mix Arts Centre to add to the cultural context of Ipswich and East Anglia as a whole is very exciting indeed.

 

The project has already attracted media attention and has been featured on BBC news, The Stage and East Anglian Daily Times.
To discover more information about this new Centre and the role that UCS in Ipswich will play see…

 

 

Image of St.Clements: Geoff Pick [CC-BY-SA-2.0 (http://creativecommons.org/licenses/by-sa/2.0)], via Wikimedia Commons

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Here at conversationsEAST, this was a story that had everything. High art, craft skills, invention, controversy and ladles of genius. Entwining a Texas entrepreneur, a seventeenth century Dutch painter and an obsessive journey into the ‘how it was done’.

Tim Jenison is a Texas based inventor and technologist with a deep interest in the painting of Johannes Vermeer (1632 – 1675). Put simply, Jenison is of the view that Vermeer could not have painted his interior scenes from life alone, the application of technology, Jenison insists, is how the stunning art works were created so long ago.

The short film below encapsulates the long journey of exploration that Jenison has undertaken to make his point. He has deployed art history skills, the talents of a craftsmen and the inquisitiveness of an inventor to make an argument, which whilst contentious is, none the less, powerful.

His five year journey involved making exact replicas of the furniture and musical instruments in a Vermeer painting, and through utilising the concept of a camera obscura and a mirror on a stick, Tim sought to recreate Vermeer’s picture, The Music Lesson.

The interiors of the room, it’s content and effects were built by Tim, even hand building the lens to seventeenth century specifications that he used to deliver his painting technique.

The results? Well you can see the full depiction of his work over time in this original article from an issue of boingboing.net.

Is it a good argument? We have looked at another old master to see if his thesis is watertight. We have used images stored on the pages of the Google Cultural Institute. (If you have a love of the visual arts this is a storehouse and toolkit of very impressive proportions – Ed.)

Canaletto image
Section of Il Canal Grande de Ca’Balbi verso Rialto 1721-1723
Antonio Canal detto Canalletto | Ca’ Rezzonico – Museum of the 18th Century Venice

 

 

 

 

 

 

 

 

 

 

Within the broad sweep of this large Canaletto, the texture of the oil paint, the slightly impressionistic depiction of the figures and the matte ‘depth’ of the boat clearly show Canaletto’s brush work and his hand.

Below is a similar size section of the painting, The Music Lesson by Vermeer, that was the object of Tim Jenison’s attention. In it the light falling from the window, the tone and smoothness of the wall surface by the window and increasing colour change away from the light source into the room are, to echo Jenison’s argument, extremely photo-like.

Vermeer image
Section of Lady at the Virginal with a Gentleman, The Music Lesson c. 1162 – 1665
Johannes Vermeer | Royal Collection Trust, UK

 

 

 

 

 

 

 

 

 

 

This might disturb quite a lot of people

…David Hockney

The work of Jenison and his collaborators is a wonderful example to anyone who has an idea or a need to find out, whether an RSA Fellow or not. Obsessive perhaps, but stunning in the execution of so many skills and techniques.

Was Vermeer really a tech geek?

Read the article, watch the film and tell us what you think….

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The Sainsbury Centre for Visual Arts has been selected as a finalist in interneticon the Art Fund Museum of the Year 2014 competition.

Designed by interneticon Foster + Partners, this iconic building rests in the University of East Anglia campus landscape and is perhaps the pre-eminent collection of modern art in our region. The permanent collection housed at the Centre was relaunched with a complete re-display in September of 2013.

At the same time the Centre’s largest exhibition to date was opened – interneticonMasterpieces: Art and East Anglia. The exhibition was assembled from some 250 works, donated by over 60 institutions. The  ranged from neolithic flint hand axes, tomb effigies from East Anglian churches to paintings from the Norwich School artist John Cotman.

The space, with its endless variety of ways to approach the works, still attracts a sense of wonder and deep engagement. The short video below, featuring the Centre Director and art historian Philip Mould, conveys this sense of connection well.

If you have never visited the interneticon Sainsbury Centre for Visual Arts, you should. Not least to see how the curatorial energy of the Centre team has won them a deserved place in this competition.

interneticon  See the Art Fund pages and details of the other finalists here. cropped-conversationsEASTbanner2.jpg

Image credit:

News Desk image by Markus Winkler, Creative Commons, Unsplash...

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