Women in the Tech Industry?

Women in the Tech Industry?

 Continuing our diversions for summer 2014 , we nonetheless remain interested in gender inequality and below take the opportunity to look at interesting initiatives designed to boost the engagement and equality of status for women in technology.

 

Girls in Tech Paris 2014 – European Lady Pitch Night

Despite the rather off message phrasing of the translated title, if you are a female technologist, active in a European based start-up and have been operational in your company or project for between six and thirty six months, then you could be n your way to Paris for this Girls in Tech Paris/Orange sponsored annual event on the 23rd September.

Applications have been extended and are closing on July 23rd, so you still have time to get your bid in. All finalists will receive tickets to Europe’s top technology conferences, including Dublin Le Web, LeWeb and Europas. Your submission will be tested, in English, in front of a jury, after a telephone interview to complete the selection process.

interneticon  You can read more about the competition by visiting the Girls in Tech London web pages here.

interneticon  You can see and complete the on-line application form here.

If you are a female technologist intent on a career in the sector, despite some of the reservations below, we think Girls in Tech London is a great resource. Their pages offer insights into fifteen UK Tech Women to watch in 2014. Great role models and great examples of women driven technology enterprise. See more here…

Microsoft – supporting change in the gender balance

The Seattle giant recently, in June 2014, held a number of sessions at  its Cambridge Research building in our region, designed to interest and promote female engagement with technology and software.

It is widely recognised that women entering the sector are faced by a massive gender imbalance, with attitudes to women still in transition in the industry. However, keen to not lose good minds and the opportunity for original research, Microsoft held a workshop on Tips and Tools for Scientific Research Success – ‘…aimed to educate attendees about Microsoft research tools, equip them with advice from experienced researchers about the opportunities of being an early-career researcher, and inspire them with examples from Microsoft Research that show the potential of computer science to change the world’.

Although 55% of enrolments in higher education are for women, data from HESA in 2013 shows, fewer than 3% of graduates were in computer science. Of that cohort only 17% were women.

Attendees at the Microsoft event in Cambridge looked at issues around cloud computing, research tools that Microsoft currently offers and how attendees might master Excel and WordPress in order to deliver and publish their research.

The attendees also looked at Chronozoom and Microsoft’s WorldWide Telescope. If you are interested in history and star gazing, these are great tools to find out more about your subject at any level, even if you are not a research scientist .

Microsoft have indicated that another ‘women in research ‘workshop is on the way in the Autumn of 2014. To request information and see the original Microsoft article about the  summer event go to the Microsoft web page here…

Coder Girls and Feminist Hacker Spaces

Another solution to the gender imbalance in ‘tech’ is to build a steadfast Bailey castle, and exclude the male majority from it. In San Francisco, the Double Union feminist hacker space does just that.

Just using the word castle would, we expect, bring us into conflict with the collective’s base assumptions. However, an overwhelming belief in open-ness and collaboration is, we recognise, trumped by the assessment that the problems for women in ‘tech’ industry are so large, that barriers need to be erected to allow a comfortable, clear space for reflection and creativity.

Fast Company recently published a profile of the feminist work space and of Amelia Greenhall, the spaces Executive Director. To sign up for Double Union women must evidence that they share a similar world view as other centre residents.

A key ‘counter-text’ for Unioner’s is Sheryl Sandberg’s Lean In. The Union holds that it is the tech industry that needs to change, not the women in it. Sandberg, Chief Operating Officer of Facebook, drove a movement forward. You can see the Lean In web pages here. But the more ardent, Double Union feminist approach, and the data, argues that for most women in technology, the barriers are not falling. Despite gentler feminist movements, girls who code projects and the well known female faces in the industry – tokenism at best the Unioner’s would probably argue.

They present a cogent argument. Google’s payroll includes only 17% of employees who are women, whilst Facebook offers workspaces and careers to only 15% of its staffing levels to women. Not much evidence of internal change in these major sector players, we would argue.

Perhaps the solution is the rainbow coalition approach? The ardent, exclusive feminists and the gentler, inclusive mainstream corporate sensibility will together reshape the face of ‘tech’ in the future, for all women? We hope so.

We read and were stirred by the Fast Company article. Written by a female journalist it none the less includes a description of what the Executive Director of the feminist space was wearing. We can’t remember the last time we read an interview with Bill Gates which featured his wardrobe?

(Are there any similar feminist community initiatives for ‘tech’ in the Eastern Region? We can’t think of any. If you know of one, let us know. We’ll feature it on our journal pages and continue the conversation…Ed).

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Being a creative person…

In his recent RSA Annual Lecture, Matthew Taylor espoused creativity. How the RSA should exist to ‘…empower people to be capable, active participants in creating the world we want to live in…’

See the movie on YouTube See the original film on YouTube here…

phoneIcon You can listen to a full audio broadcast of the event here too…

In his lecture Matthew argues that we stand on the edge of a vast plain of opportunity. Social, technological and philosophical changes in the last century have the potential to enable every person to be creative, in the widest sense.

His core argument cites Amartya Sen, amongst others, who have argued that with the creativity that education and open-ness deliver, runs alongside a reliance on resources. These must be garnered, deployed and accounted for too.

He does stress that in this century those resources are, or can be for most, free. This journal, for example, is a product of imagination and the utilisation of Open Source software to create and deliver information and opinion to a social network.

Although we would bind ourselves to the argument it does not fully extend itself, yet, into the sphere of hardware. The technology we need to deploy free assets still comes at a cost, a la Amartya Sen.

Matthew also presses us to the concept that creativity is not the sole remit of high culture alone. For a creative individual, it is perhaps starting a new socially focused enterprise, writing and publishing new works or working with others to deliver societal change.

This notion of ‘the social’ is a strong theme in the lecture. Matthew argues for the collapse of ‘Fordism’ and traditional passive consumption of services in the local authority arena. The social transaction in the workplace and wider civic society itself undergoing dramatic change at the social/technological interface. This change, the lecture makes clear, is still under way. Destination unknown.

In the final part of the lecture we hear of two key restraints on creativity.

One is the ever increasing ‘gap’ to reach those who enjoy privilege and wealth. Matthew cites Thomas Piketty’s recent argument that the traditionalist, narrow pyramidal social and economic structures of the past continue to eat into the resources, and undertake exploitation of, the majority in the present. The spectre of Marx is at the feast, even for Piketty.

Secondly, the Weberian notion of ‘splitting’ is a key restraint argued for by our lecturer. ‘Social pyramidism’ is reflected in the largest corporations, whether in the civic domain or in private hands. Where individuals are completely constrained by function and hierarchy…to the detriment of their own creativity.

We would probably extend this argument slightly further, in that the traditionalist, elitist and pyramidal organisation creates a culture of fear, not of creativity. All creative people recognise the tone of those emails, the sense of ‘beyond my pay grade’, that any attempt at initiative and new thinking can create.

This personal creativity is fostered, we would argue, in the private, domestic domain to the disregard of the corporate structures that the individual labours under….perversely perhaps, in order to acquire the technology to be properly free.

In conclusion, the lecture pitches us into the argument of ‘civic effects’, where success for a creative society will be an ad-mixture of engagement in civil society, the activation and support of creative ‘doers of things’ and the press to change entrenched behaviours, in order to disrupt the traditional pyramidal approach.

It’s a powerful argument from and for the RSA and should be heard widely.

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Something for the summer?

Fun and intellectual stimulation in the sun...

Now with added RSA

Lulworth Castle – July 31st to August 3rd 2014

Bestival booking pages here…

Heading away from the Eastern Region over the summer period? Spending some time on the South Coast? A great event with some inspiring and refreshing RSA talks will be taking place at Camp Bestival 2014.

‘The sister festival of the Isle of Wight’s Bestival, in its first year Camp Bestival was awarded ‘Best New Festival’ at the UK Festival Awards and has since won Best Family Festival three times at the awards in 2009, 2010 & 2013.

Set in the majestic grounds of Lulworth Castle, on Dorset’s dramatic Jurassic coastline, Camp Bestival is jam-packed with entertainment, from stellar musical morsels and cultural delights to stunning sideshow attractions and lashings of family fun.  Featuring a truly enormous kids’ area your little’uns will be utterly spoilt for choice. 

With a host of thrilling activities from soft play and circus skills to go-carts and glitter, there’s plenty of excitement for kids of all ages. Plus, there are kids’ shows and performances on the Castle Stage and in the Big Top, daring antics to be had at the Freesports Park, and fairytale escapism in the Dingly Dell’.

Narrative source: Camp Bestival web pages – see more here…

The RSA Hour

vintagetravellersPic
Vintage travellers…ready for Dorset?

The RSA Team will be boarding their summer holiday charabanc and leaving the metropolis for the Dorset countryside. With tents, wellies and a relaxed mind, ready to be entertained themselves and to have the children beguiled too.

 

Fellows, and the assembled audience, will be able to enjoy The RSA Hour events on Saturday and Sunday of the weekend…

Saturday 2 August at 10am.
Psychologist Dr Ben Ambridge’s innovative interactive investigation of intelligence.
‘What is intelligence? Where does it come from, and why does it even matter? How much do you know and understand about what makes you tick? And how good are you at predicting other people’s behavior…or even your own?

What’s the link between intelligence and curly fries? Are atheists cleverer than religious people? What about men vs women, or right- vs left handers? Does listening to heavy metal or Mozart make you smarter? What do different shapes taste like? Are you stupider than a monkey?’

Sunday 3 August at 1pm.
Dr. Kevin Fong – our fascination with the final frontier.
‘Of the men who once walked on the Moon, only a handful now remain.  The space shuttle, the most remarkable space craft ever built, is gone.  Our ambitions appear to be failing almost as fast as the Government funds available for space exploration.

Variously described as ‘TV’s face of science’ and the ‘Brian Cox of medicine’, self-confessed space junkie Dr. Kevin Fong asks – have we come to the end of our fascination with the frontier of space? What social and scientific value did our curiosity about space really add, back here on Earth? Perhaps in the future we will look back upon the endeavour of human space flight as we do the building of the pyramids…’

Narrative source: RSA events web pages.

interneticon  You can find the Bestival booking pages here…

interneticon  See more about the RSA Hour on the pages of the RSA web site here.

You can find RSA East regional events here, and check out what’s on at The House too on the pages of conversationsEAST.

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Iconic metaphor for enterprise?

As part of an occasional conversationsEAST series on major architectural developments across the globe, we take a look, in this article,  at the The Jockey Club Innovation Tower (JCIT) in Hong Kong.

The JCIT is home to the Hong Kong Polytechnic University (PolyU) School of Design, and the Jockey Club Design Institute for Social Innovation.

vimeoVideoButtonpic-m  Discover the original video on Vimeo here…

The Tower, designed by Zaha Hadid Architects of London, appears from one angle to be reminiscent of the prow of a great ship, cutting through the Honk Kong island landscape.

A formidable block, which at first appears to teeter or lean from its base, yet which is  an elegant building, seeming to move forward, conveying a sense of motion.

The tower contains 15,000 square meters of space, and can accommodate some 1,800 students and staff. It crests at a height of 78 metres.

We think the tower is a great metaphor for an enterprising community. Hong Kong, enjoying unique relationships with Britain and China because of its history, none the less has in the Jockey Club Charitable Institute and the islands’s seats of learning, a powerful admixture to reap social and economic change in the region.

Indeed, the building’s occupants define its mission as being ‘…initiated by PolyU and the Hong Kong Jockey Club Charities Trust, Jockey Club Design Institute for Social Innovation (J.C.DISI) convenes university expertise, curates trans-disciplinary projects, and constructs partnerships for social well-being and positive systemic change’. 

tower drawings - Hadid ArchectsExploring the Hadid Architects web pages, the drawings of the tower, confined by the landscape the building is set in for sure, none the less look like drawings for rotational cam devices – using an engineering metaphor to illustrate the movement of  all the enterprise contained within.

Supporting the circular energy idea, despite the many contradictions of Hong Kong, are PolyU  projects like SOCIA. Striving to co-ordinate and facilitate research and social change with the English speaking world,  SOCIA looks to ‘…articulate partnership, with government, business, community and academia, for design-embedded social innovation projects – to incubate a new generation of graduates and young designers as novel thinkers, activists and change-makers from Hong Kong‘.

interneticon  See SOCIA and its projects on their web pages here…

A building is simply a shelter. In the case of Hadid’s tower it is also a shelter for ideas, community engagement, innovation and education. If the concrete construct is a metaphor for innovation, it’s enduring legacy could be substantial and durable change in the communities that lie within its hinterland?

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The Great War – the wrong turn to end all?

The weekend of June 28th 2014 marked the centenary of the death of Archduke Ferdinand in Sarajevo, at the hands of Gavrilo Princip. Arguably sparking the events that put in train the First World War.

This reflection revealed a surprising and diverse range of resources about the Great Conflict. Many, perhaps, at odds with the perceived understanding of the war and its consequences. Remarkable in as much that so much is yet to be discovered, even after a century has passed…

Image: A single German war grave near Ypres, commemorating over 40,000 of their lost combatants…

The weekend in East Anglia in 2014 was fresh, warm and sunny, as it was across England on that weekend in 1914. (You can see a detailed weather forecast from The Meteorological Office for June 1914 here  pdfIcon4…Ed.) It is unlikely that Princip, in his passion to undermine Austrian dominance of his culture, was thinking of the words of Thomas Hoccleve, see below.

His ambitions were arguably localised, national, but the outcome of his act  was trans-continental. With the destruction to come, the terrible devastation of war, linked to and having an unfortunate long echo back to the previous tumultuous tragedies in France during the 15th Century. The anguish is contemporary still.

Allas! what peple hathe your werre slayne!
What cornes wastede, and doune trode and shent!
How many a wyfe and maide hathe be forlayne,
Castrels doune bete, and tymbered houses brent
And drawen doune, and alle tortore and rent!
The harme ne may not rekened be ne tolde;
This werre wexethe all to hore and olde…

Thomas Hoccleve, Poet & Clerk, London
‘An appeal for Peace in France’ (1412)

Princip, part of a team of six Bosnian-Serb radicals dedicated to their plan,  was standing outside a cafe in Franz Josef Street, reflecting on an earlier failed assassination attempt upon the Austrian Archduke by a co-conspirator that day. When, seeing the royal vehicle, engine stalled  after taking a wrong turn, he leapt forward with his revolver, and from a distance of five feet, changed history.

This story of ‘cataclysm by happenstance’ continues to provoke debate and divide about how the next few months saw progress into war, but also about the wider legacy of Princip’s actions, even after a hundred years has passed. The narratives still differ, both historic and contemporary, often in surprising ways.

Modern Sarajevo remains a divided city, politically and culturally, to this day. With Princip seen as hero or devil depending upon the view of historical events taken from the city centre. To mark the Sarajevan centenary Andrew MacDowall, in The Guardian newspaper, has written an interesting and insightful article on how stands the political front-line concerning Princip.

You can discover MacDowell’s article on-line here…

In Eastern Sarajevo, from the view point of the Serb Republic, Princip is a national hero,. His actions freeing the city from Austrian dominance. However, for the Bosnian Muslim population Princip’s actions bought about an end to a golden era of Austrian administration. The Muslim population look to the grand edifices of civil society, schools and railways of the Austrian Empire as evidence of their argument.

Even after a hundred years, residents of a strife torn city cannot agree on a single, conciliatory view of their history. This set us thinking about that sunny day in 1914. What were, or what did, contemporaries to Princip think about the coming events and their out turn?

We turned to the Project Gutenberg on-line library. Looking through the project’s World War 1 bookshelf we discovered, amongst the usual, deeply moving and contemporary military narratives, a surprising and very different view of events and understanding of the ‘culture’ of war, particularly of conflict in other places.

This writer did not know of a Mills and Boon, Kiplingesque  literary  oeuvre developed around events of the war. Deeply at odds with the first person narrative of other, military writers, but perhaps born of a then contemporary optimism for Empire, incomplete knowledge and the heady ‘home by Christmas’ approach.

The Gutenberg archive also makes available to the general reader a selection of European political writing on the Great War. We found the account of pre-war diplomacy and events from Viscount Haldane both disturbing and revealing about political attitudes and actions towards European conflict. See more here…

interneticon  You can discover the Gutenberg Project library World War bookshelf here…

Red Cross Girls cover picMargaret Vandercook in her The Red Cross Girls with the Russian Army, (John Winston Co., Philadelphia, 1916)  writes about war and combat as a sort of Mills & Boon romance adventure. Dashing young men in foreign places, capturing the swooning hearts of kindly young women. Published in 1916, it arguably represents a canon of juvenile fiction, that was blind to, or unknowing of the true horror of warfare at any front-line.

There is a sort of breathless, adventure story pace to the book, at odds with the newsreel and written narratives we have come to know about the Great War and other conflicts in the 20th and 21st centuries.

There is in this bookshelf collection a fascinating insight into the power of Empire and the loyalty created in military service.

In Talbot Munday’s Hira Singh – When India Came to Fight in Flanders  lies the fictionalised story of a group of Sikh soldiers captured by the German army in Flanders and transported back to ‘Constantinople’, who then escaped and marched overland to Kabul in Afghanistan to rejoin the British Army in their fight in Europe again.

One hundred Indian troops of the British Army have arrived at Kabul, Afghanistan, after a four months’ march from Constantinople. The men were captured in Flanders by the Germans and were sent to Turkey in the hope that…they might join the Turks. But they remained loyal to Great Britain and finally escaped, heading for Afghanistan. They now intend to join their regimental depot in India, so it is reported.
New York Times, July, 1915 (Talbot Munday)

Although fiction, with some of the language jarring by modern cultural norms, and being written by a European,  the story none the less provides insights into the nature of leadership, how men who were accomplished warriors from another culture, might have seen the conflict in Europe with empathetic eyes.

The archive does not contain any reflection from Indian sources, but when looking at the contribution of the Indian Army and Marine service to the conflict, there is little doubt that support there was.

How profound, prompted a look at the detail of the contribution of the Indian Army in the Great War? Details of the 1 million Indian troops who served in France, Mesopotamia and other battle zones can be found on the Commonwealth War Graves Commission web pages. interneticon  See more here…

Closer to home are a range of projects and community activities to remember the Great War in detail.  One such is the work done by Fellows in Chelmsford, as part of a Heritage Lottery funded  project – Chelmsford Remembers,  and which will be launched as part of the Essex Remembers event, which involves both Essex County Council and Chelmsford City Council, to held at Hylands House on the weekend of 13th/14th September.

We look forward to supporting Fellows in the project by delivering a ‘web special feature’ about this exciting social history journey of discovery. (You can find the Chelmsford War Memorial web site here – this is a wonderful resource, with images and detailed biographies of the 359 men commemorated on the Great War Memorial in Chelmsford, Ed.)

Even after one hundred years, the local and social is as telling and moving as ever. Princip would probably still recognise the physical landscape old Sarajevo, if not the political one, whilst great new discoveries and insights lay waiting in the family archives of Chelmsford we suspect.

Newer on-line resources for The Great War

interneticon The Google Cultural Institute – The First World War

A new web resource, dedicated to the art, politics and history of the great conflict. Referencing major UK museum collections, but also providing insights into history from a surprising variety of sources.

 interneticon  Europeana Exhibitions – Untold Stories of the First World War

A  new resource offering insights into how ‘… it was the ordinary men and women who were affected the most. This exhibition gives those personal accounts from across Europe for the first time, based on stories and items contributed by the public’.

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Web? Writing? Whither?

The web has promoted a revolution in media delivery and consumption,  and has generated a similar paradigm shift in production processes and work flows. Whether for the corporate giants of this world, or the lonely writer crafting a masterpiece in his or her garret.

 

Evidence of the changes in news and visual media were well illustrated in a recent RSA lecture by John Ryley, Head of Sky News. His father, he tells us, was a vicar’s son, who was profoundly affected by his son’s elevation to the ranks of journalism.

You can hear the lecture, and an introduction by Matthew Taylor of The RSA, with an audience Q&A, by using the audio player below…

Rolling News – the Backbone of a Digital Future by Royal Society Of Arts on Mixcloud

 

In his lecture John Ryley describes his own early acquaintance with television. Describing it as a pseudo-religious experience, with the family sitting in rows, silent, facing an iconic piece of equipment, bathed in a particular blue light.

Web technologies and new software have also promoted a similar revolution in print journalism, which  that and the ubiquitous access that the web offers to any journalist, would be or otherwise, the chance to profoundly affect their ability as humans to tell simple stories.

Why do we write, and become journalists, historians, authors, self published or otherwise? Has technology really affected the way we look at the word on paper and on screen?

George Orwell, writing in 1946, mapped the landscape of why we write. That perceptive voice is still being heard from Manhattan offices to Cumbrian writerly retreats…

  • “Aesthetic enthusiasm. Perception of beauty in the external world, or, on the other hand, in words and their right arrangement. Pleasure in the impact of one sound on another, in the firmness of good prose or the rhythm of a good story. Desire to share an experience which one feels is valuable and ought not to be missed”.
  • “Historical impulse. Desire to see things as they are, to find out true facts and store them up for the use of posterity”.
  • “Political purpose. — Using the word ‘political’ in the widest possible sense. Desire to push the world in a certain direction, to alter other peoples’ idea of the kind of society that they should strive after. Once again, no book is genuinely free from political bias. The opinion that art should have nothing to do with politics is itself a political attitude”.

Collected Essays, by George Orwell, Why I Write (1946)  http://ebooks.adelaide.edu.au

Orwell’s philosophy of the narrative is being flexed for the internet age at the The New York Times.  Long an innovator in print journalism technology, they have recently published an article on the creation of their new back office production engine for the newspaper.

What is trans-figurative for New York Times journalists is the new focus on web and mobile as the default primary templates in this production process. The ability to blend digital content  for traditional press production is not an incidental or trivial outcome, it is imperative to keep ‘paper on the street’, but it is a secondary outcome of the creative writing and editorial process. This is new.

You can read the New York Times article about their new CMS, content management system, here.

It is also interesting that it is not only production processes and outputs that are being blended. The Mozilla Foundation, creator of the Firefox web browser and scion of the radical, open internet, has recently been the recipient of a grant “…of roughly $3.9 million from the John S. and James L. Knight Foundation, which promotes innovation in journalism”.

With the money Mozilla will build a new ‘comments’ software for the New York Times and the Washington Post. It is remarkable that both newspapers are the properties of major league capitalists, but this non-profit initiative is geared to giving readers the chance to generate content, and to take part in the journalistic process by offering the writers direct feedback on their articles in new and  innovative ways.

A new blend of capital, charity and community engagement, which may well transform newspaper publishing?

Finally, amidst all this corporate activity and development at scale, technological innovation for the lone writer has not been lagging behind. From your own desk you can change the world one article at a time by using the services of Medium – a mixture of blogging platform, paid for content, social networking and collaboration tool.

With a beautifully designed interface, and tools that are intuitive and graceful, you can craft stories, news and research that are delivered in an elegant format to your readers.

We like Medium. Its content can be challenging and provocative, but it is also a place where the thoughtful, considered article can find a home. From new fiction to a story of how the cellular structure of the nematode worm has an impact on human brain function, sculpted with light…all writing is here. (You can find the worm article here…).

Of course, as an RSA Fellow in the East of England, you could publish your thoughtful piece in the pages of conversationsEAST. That’s new too!

Send copy at any time to editor (at) conversationseast.org  …your audience awaits.

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Students rising to the CIPD Challenge

University of Bedfordshire
Learning in Bedfordshire

The Chartered Institute of Personnel and Development (CIPD) is a professional association for human resource management professionals. It is headquartered in Wimbledon, London, England. The organisation was founded in 1913 and has over 130,000 members internationally working across private, public and voluntary sectors.

Bedfordshire Chartered Institute of Personnel and Development recently worked with the University of Bedfordshire (pictured) on the CIPD Challenge.

The University of Bedfordshire is based in Bedford and Luton, the two largest towns in Bedfordshire. A campus in Aylesbury, Buckinghamshire is for students studying Nursing and Midwifery. A further campus in Milton Keynes, Buckinghamshire, teaches business studies, electronic engineering, and telecommunications.

It has approximately 24,000 students. Nearly 3,000 international students study with the university. The university was created by the merger of the University of Luton and the Bedford campus of De Montfort University in August 2006 following approval by the Privy Council. In 2012 it achieved FairTrade status.

CIPD Bedfordshire Group Committee members, Paula Grayson, Sandra Brown and Letitia Winston worked with Sarah Jones from the University of Bedfordshire on the CIPD Challenge in the practice week for undergraduates on the BA Hons. in HRM.

On 3 March 2014, students were briefed on four “Consolidating Culture” challenges to provide good practice HR processes. The guiding principle was to design a process which should assist in consolidating and reinforcing the culture of the organisation.

(Over time the CIPD have developed a comprehensive, effective and wide range of resources for HR professionals. One aspect of the work is the creation of a CIPD Profession Map. Integral to this is the Courage to Challenge Model, which is part of a sequence of themes that look at behaviours around curiosity, decisive thinking, collaboration and being a winning influencer. All skills that the Bedfordshire students would have needed to deploy, in order to complete their assignment….ED).

They needed to use good practice guidance from the CIPD and other sources, remembering organisations are operating in difficult economic times. All additional costs needed to be justified in terms of improving productivity, increasing employee engagement or reducing an existing employee cost pressure. Each team was asked to choose one challenge from:

•  designing a new induction process for a large successful retail organisation to induct and socialise recruits, remembering to embed the strong values as soon as possible, while ensuring health and safety together with all legal requirements were fulfilled from day one

•  using social media in recruitment and selection for a small and relatively unknown web design company needing a web designer who could work within a performance driven culture with tight deadlines to meet client needs. They had to improve the poor job description and person specification written by the Managing Director, including taking out illegal elements, then outline their campaign and process, especially how social media could be used in the short-listing stage

•  improving motivation at a recruitment agency providing education professionals to the local authority and individual schools where the staff are partly paid on commission. They needed to address the low staff retention rate and high absence rate through appropriate non-financial rewards to recognise and provide incentives to staff

Students formed their teams, chose their challenges and got to work.

On 6 March, Sarah, Paula, Sandra and Letitia judged their proposals, selecting a runner-up team and a winning team. The presentations were all excellent, offering thoughtful, appropriate and legal advice to their organisations.

Their professionalism demonstrated how much they had learned during their course, not only about Human Resources but also how to write and present practical solutions to employment issues using good practice. The runners-up were given University of Bedfordshire conference folders.

The five students in the winning team will each have two days of work shadowing with CIPD Bedfordshire Group committee members.

Article contributed by Sarah Jones and Paula Grayson

(If the University has an image of the Challenge Teams, or the winners ceremony, email it to the editor and we will add it to this narrative…ED.)

University image by Kriscollins at en.wikipedia [CC-BY-SA-2.5 (http://creativecommons.org/licenses/by-sa/2.5)], from Wikimedia Commons

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Arts and craft, history and genius

Here at conversationsEAST, this was a story that had everything. High art, craft skills, invention, controversy and ladles of genius. Entwining a Texas entrepreneur, a seventeenth century Dutch painter and an obsessive journey into the ‘how it was done’.

Tim Jenison is a Texas based inventor and technologist with a deep interest in the painting of Johannes Vermeer (1632 – 1675). Put simply, Jenison is of the view that Vermeer could not have painted his interior scenes from life alone, the application of technology, Jenison insists, is how the stunning art works were created so long ago.

The short film below encapsulates the long journey of exploration that Jenison has undertaken to make his point. He has deployed art history skills, the talents of a craftsmen and the inquisitiveness of an inventor to make an argument, which whilst contentious is, none the less, powerful.

His five year journey involved making exact replicas of the furniture and musical instruments in a Vermeer painting, and through utilising the concept of a camera obscura and a mirror on a stick, Tim sought to recreate Vermeer’s picture, The Music Lesson.

The interiors of the room, it’s content and effects were built by Tim, even hand building the lens to seventeenth century specifications that he used to deliver his painting technique.

The results? Well you can see the full depiction of his work over time in this original article from an issue of boingboing.net.

Is it a good argument? We have looked at another old master to see if his thesis is watertight. We have used images stored on the pages of the Google Cultural Institute. (If you have a love of the visual arts this is a storehouse and toolkit of very impressive proportions – Ed.)

Canaletto image
Section of Il Canal Grande de Ca’Balbi verso Rialto 1721-1723
Antonio Canal detto Canalletto | Ca’ Rezzonico – Museum of the 18th Century Venice

 

 

 

 

 

 

 

 

 

 

Within the broad sweep of this large Canaletto, the texture of the oil paint, the slightly impressionistic depiction of the figures and the matte ‘depth’ of the boat clearly show Canaletto’s brush work and his hand.

Below is a similar size section of the painting, The Music Lesson by Vermeer, that was the object of Tim Jenison’s attention. In it the light falling from the window, the tone and smoothness of the wall surface by the window and increasing colour change away from the light source into the room are, to echo Jenison’s argument, extremely photo-like.

Vermeer image
Section of Lady at the Virginal with a Gentleman, The Music Lesson c. 1162 – 1665
Johannes Vermeer | Royal Collection Trust, UK

 

 

 

 

 

 

 

 

 

 

This might disturb quite a lot of people

…David Hockney

The work of Jenison and his collaborators is a wonderful example to anyone who has an idea or a need to find out, whether an RSA Fellow or not. Obsessive perhaps, but stunning in the execution of so many skills and techniques.

Was Vermeer really a tech geek?

Read the article, watch the film and tell us what you think….

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The city. The future. The optimism.

Leaving the opera in the year 2000!

Leaving the opera image
Image: Albert Robida, 1882 – The Public Domain Review, 2014

 

 

 

 

 

 

 

 

 

A wonderful vision of city and cultural life, imagined in 1882. Even in the 21st century it is hard to contemplate leaving a cultural event in a city, stepping into your floating air carriage and drifting off home in ease and solitude.

Even after the most vigorous Tannhauser at the interneticon Royal Opera House, a trip on the Northern Line to return to the solace of High Barnet bears no comparison.

We have not given up on the city yet, though.

Our recent Fellows Annual dinner in the East of England was held in the surroundings of interneticon Emmanuel College in Cambridge.  Dating from 1584, the original Dominican Priory has been embraced by later buildings, yet Fellows were able to hear an entertaining and informative after dinner talk by Matt Lane, Head of the Royal Opera House site at Thurrock, the interneticon Bob and Tamar Manoukian Production Workshop, where ROH productions are built and delivered to cities.

The conversation also ranged across the occasion of the region’s forthcoming conference at the University of East Anglia. The programme for which includes Norwich Fellows session on Empowering Invisible Norwich and another on What is a Learning City? So although we will not arrive by hover car, the idea of the city will continue to echo.

Extending the city:

Writing just before the start of this century Peter Hall, in his book Cities in Civilisation – Culture, Innovation and Urban Order ( Weidenfeld & Nicholson, London, 1998) was minded that…

At the turning point between the twentieth century and the twenty-first, a new kind of economy is coming into being, and a new kind of society, and a new kind of city: some would say no city at all, the end of the city as we know it, but they will doubtless prove wrong…

Hall goes on to develop his argument about societal change and stresses the enormous impact of technology on urban dwellers across the globe. This is true, but the forecasts of the end of the city have proved somewhat premature.

In fact, the building, or extending of cities, continues to be a hot political issue. For the forthcoming report by Sir Michael Lyons there is an indication that he will recommend that cities should be allowed to expand at their edges, a return to the New Town concept perhaps. With councils free to borrow and invest in house building and bringing reform of land release for house building to the table.

This latter point outlines how strong the the High Victorian concept of urban spread as an entirely bad thing remains. Surely the point is what sort of urban extension or city growth you achieve. We must not build urban ‘rookeries‘, or blanket ‘Bedford Brick‘ box extensions across acres of green fields either, we would argue.

Land release for social housing or city corporation development will be a thorny issue for private landowners, what ever the political persuasion of the originating idea, we suspect. You can see this debate outlined in more detail in a recent article from Patrick Wintour in The Guardian here.

Farming the city:

Using existing infrastructure in conurbations for innovative purposes is immensely appealing. Using it to farm, to develop new urban and social businesses based on food, new flowers and green space cultivation is a great way to deliver new skills, better diets and employment into communities, we would argue at conversationsEAST.

Robida in 1882, or Hall in 1998, could not have imagined the Massachusetts Institute of Technology  interneticon MITCityFARM project.

 “As part of the City Science Initiative at the MIT Media Lab, we explore the technological, environmental, social and economic design of scalable systems capable of producing affordable and high quality food in the heart of our future cities”.

If you have an interest in this green aspect of the debate an on-line visit to MIT is worth it. The MITCityFARM team are working in three key areas.

  • Re-thinking the ‘grow it there, eat it here’ agenda
  • reviewing the ‘urban infrastructure facade’
  • developing global open access course-ware, to make knowledge about agriculture available to all.

In the East of England, the agricultural heartland of the UK, arguably, there must be Fellow’s projects that can be blended into delivery of vertical gardens, rooftop farms or the reclaiming of industrial and derelict sites for community owned small holdings or gardens? (Write to the Editor, let us know, we’ll do a feature…Ed.)

The edge of the city, in the city garden:

A blending of  city growth concepts and urban farming/community greening agendas come together in the now, with the recent release of the short list for the interneticon Wolfson Economic Prize.

The Wolfson Prize team undertook research to see what sort of urban development was uppermost in people’s minds. The Garden City was by far the most popular ‘civic choice’ of growth mechanism. Simon Wolfson talks about the design choice in this short film below…

Consequently, the five prize shortlist contenders have been asked to submit designs for a new Garden City. You can see the individual practices in competition here.

In conclusion, maybe the time is now right. We have innovative thinking on edge development, an energised architectural sector with modern materials and community sensibility, coinciding with increased interest in city farms and Garden Cities from the civitas.

Who cannot have an optimistic view of our cities?

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A new Arts amalgam…

In the last two weeks the BBC have launched a new set of web pages and content dedicated to the arts. The material , as you would expect from the Corporation, is diverse and stimulating, with a fresh feel in terms of web layout and visual impact we thought. It draws upon television, radio  and web outputs to create a new miscellany.

Below are some of the items we have found interesting at conversationsEAST this week.

Both are of a historical bent, with historian Niall Ferguson opining on how young students now see and re-act to the First World War. A topical segment from the 2014 Hay Festival, with brief contributions from Rosie Boycott and Kate Adie.

Niall Ferguson, ever controversial, begins by describing the teaching of history about the First World War in the UK as, essentially, education about the Home Front. The lack of familial links for young people to the events of 1914 onwards make the story of the Battle of the Somme as relevant as the Battle of Thermopylae, thus the concentration on social history.

The Ferguson thesis on how students see The First World War is encouragingly developed to include how contemporary learners, Ferguson argues, are now very interested in strategic calculation and miscalculation.

This is a credible argument for a return to interest in the prevailing political frameworks by students of 1914. The less comfortable summation is completed by references to the teaching of the impact of the First World War as a video game…perhaps something of an unfortunate trivialisation of all the stories of loss, destruction and bravery that will emerge as the centenary of the conflict is remembered this year?

Have  a look at the clip above and see if you agree?

You can see details of Changing Chelmsford’s First World War: Then and Now programme on our projects page. This is a Lottery funded project between RSA Fellows and the local Civic Society which pertinently concentrates on the historical context of the Home Front, under-scoring the very real social and economic impact of war to the Fellows credit…despite the Fergusonian treatise on domestic history above.

We also found on the new BBC Arts site a page link dedicated to the Scottish novelist, Denise Mina, who has created a social history film about her family, inviting them all to see the finished output at the Glasgow Film Theatre. See more here on this BBC Scotland web page.

Image of novelist Denise Mina
See Scottish novelist Denise Mina talking about her film project here…

We loved the fact that the project was filmed on a smartphone, with very modest funding. The finished piece will be premiered today at the Go North Festival in Inverness.

We thought what a great project, harnessing the power of ubiquitous modern technology, to create a story about a community. An ideal medium for a local arts/history project for Fellows in the region perhaps? Detailing the currency of everyday lives, to to be made enduringly available on the web.

We warmed to the new BBC Arts amalgam and will revisit its news feed regularly. See more here…

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Image credit:

News Desk image by Markus Winkler, Creative Commons, Unsplash...

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